Product Overview
| Property | Aniline Gloss Coating Dye 76 | Leather Pigment 54 |
|---|---|---|
| Type | Transparent surface coating dye | Micro-pigment paint-like finish compact resin |
| Grain visibility | High (grain shows through like wood varnish) | Low (masks imperfections, solid opaque look) |
| Application purpose | Enrich color, gloss, retain natural look | Camouflage damage, uniform solid appearance |
Blending Tip:A 1:1 mix (Pigment 54 : Aniline 76) produces a translucent hybrid finish.
- Apply fine, even coats with a Paasche airbrush for a smooth, professional finish.
- Use brushes or padding for a “salvage” look, emphasizing artistic or antique-style shading.
Refer to the image antique-shading-with-clear.jpg:
- First Row: Undiluted Antique-Brown applied with increasing layers from right to left.
- Second Row: Antique-Brown mixed with 3 parts ‘Clear’, with intensity increasing from right to left.
The shading in this example is achieved using a cotton bud to demonstrate overlapping and blending effects — perfect for visualizing the "salvage" technique.
1️⃣ Surface Preparation
✅ Clean & degrease:
- Clean with Prep 7.7 → Soft 3.8 → Rinse 3.0 (remove body oil, soiling).
- If necessary, degrease with Degreaser 2.2 + Acidifier 2.0 on oily spots.
✅ Dry fully before dyeing.
2️⃣ Base Staining Dye — Aniline Staining Dye 21
- Apply by airbrush / sponge / padding cloth.
- Build up color gradually in thin coats; let each layer dry before next.
- Allow full drying (12–24 hours recommended).
3️⃣ Surface Color Gloss — Aniline Gloss Coating Dye 76
- Apply in light even coats by spray or sponge.
- Allow drying between coats (can do 1–3 coats depending on desired gloss & intensity).
- Mix Aniline 76 : Pigment 54 = 1:1 for a translucent coating that helps camouflage blemishes while retaining some grain visibility.
4️⃣ Topcoat Sealer
- For extra protection, seal with Aniline Finish Topcoat Gloss 76, Leather Finish Topcoat Matte 54 or Leather Finish Topcoat Satin 54.
- (Matte/Satin/Gloss) or Protector B / B+.
5️⃣ Rub-Resistant Conditioner
| Dye/Pigment Type | Product/Ratio | Function |
| Structure Dye Staining | Aniline 21 | Transparent Staining Effect - Enhances the natural beauty, depth, and character of the leather grain. |
| Surface Dye Coating | Aniline 76 | Transparent coating allows the natural grain to show through — akin to varnishing fine wood. |
| Surface Pigment Coating | Pigment 54 | Opaque, paint-like appearance — effectively conceals surface imperfections and repairs. |
| Surface Hybrid Coating | 1:1 Pigment 54 : Aniline 76 | Translucent, masks damage, cover blemish, retains gloss |
- Creating a random two-tone leather design involves applying two contrasting or complementary colors in a way that appears organic, spontaneous, or naturally aged.
- This design technique is often used on vegetable-tanned, aniline, or pull-up leathers to give them a unique, artisanal, or vintage look.
- Here’s how random two-tone leather effects are typically created — either in a tannery setting or by leather artisans:
1️⃣ Hand-Staining / Ragging
- A base dye is applied to the leather evenly.
- A second dye (darker or contrasting) is wiped, brushed, or ragged on in a random pattern.
- The artisan may use crumpled cloths or sponges to achieve unpredictable streaks and patches.
- Blending is done selectively to leave some areas lighter and others more saturated.
2️⃣ Spray Shading
- After a base color is applied, a second tone is airbrushed or misted unevenly.
- The operator targets edges, panel seams, or random areas to build a natural-looking gradient or shadowing.
- The spray gun or airbrush is adjusted for fine control to keep the look irregular.
3️⃣ Resist Techniques
- A resist (such as oil, wax, or a water-repellent product) is applied selectively before the second dye.
- When the second dye is applied, it won’t take evenly — leaving lighter patches where the resist was.
- This creates a mottled, marbled, or cloud-like two-tone effect.
4️⃣ Crinkle or Compression Dyeing
- The leather is crumpled, folded, or wrinkled before or during application of the second dye.
- The dye penetrates the high points more than the low points, creating a random, distressed two-tone look.
5️⃣ Pull-up effect (oil-wax blends)
- The leather is dyed a deep base color, then heavily conditioned with oils and waxes.
- When stretched, bent, or handled, lighter undertones or the natural leather shade show through at stress points, creating an organic two-tone effect.
1️⃣ Degrease, Strip, Clean, Rinse, Hydrate, Soften leather accordingly.
2️⃣ Apply base color using Aniline 21, Aniline 76 or Pigment 54 (Leather Doctor® or equivalent).
3️⃣ Let dry and smooth as needed.
4️⃣ Apply the secondary color by ragging, spraying, or wiping irregularly.
5️⃣ Blend transitions if desired using a damp sponge or additional base dye.
6️⃣ Seal with an appropriate topcoat (e.g. Gloss 76, Satin 54 or Matte 54 (Leather Doctor® or equivalent).
7️⃣ Finish with rub-resistant conditioners like Leather Protector B.
✅ The randomness comes from human application, natural leather grain variations, and sometimes chemical reactions between dyes and finishes.
✅ Many high-end designer leathers (e.g. in Italian tanneries) achieve this look through layered, labor-intensive processes.
✅ The design is usually not 100% repeatable, which adds to its uniqueness.
Aniline Leather Redyeing Kit A7.cl
A complete solution for restoring and recoloring aniline leathers with precision and artistry.
Updated: April 8,, 2025 | July 4, 20125 | July 5, 2025 by Roger Koh